Pucker Up: A Review of “BITE: A Pucking Queer Cabaret” at Pride Films & Plays

(front) Kevin Webb and Nathan Maurice Cooper (back) Jordan Shomer, Jacob Gilchrist and Kathleen Hoil/Photo: Carolyn Reynolds Photography
(front) Kevin Webb and Nathan Maurice Cooper (back) Jordan Shomer, Jacob Gilchrist and Kathleen Hoil/Photo: Carolyn Reynolds Photography

I wrote a theater review for Newcity Magazine on “BITE: A Pucking Queer Cabaret” by Pride Films & Plays at Mary’s Attic. Click here to read my review.

The full text of the article can be viewed below.

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Does the fairy make the magic or does the magic make the fairy?

That’s the question the audience tries to answer in Pride Films & Plays’ “BITE: A Pucking Queer Cabaret.” Directed and adapted by Derek Van Barham from Shakespeare’s “A Midsummer Night’s Dream,” the show teems with power (fairy dust, perhaps?) through solid direction, performance, choreography, music and costume.

In this pop-rock ode, the charming Puck (Nathan Maurice Cooper) and other fairies prepare for the Midsummer celebration in light of the rocky relationship between King Oberon (Kevin Webb) and Queen Titania (Raymond K. Cleveland). Oberon hopes to re-invoke the spirit of Midsummer when four mortals suddenly wander into their world; the fairies get them drinks with a side of deception on the house.

From the introductory song to Brad Caleb Lee’s scene and costume design, the audience is transported into a Midsummer fairyland. The script is quippy but oft profound, highlighted by standout performances by Cleveland, Webb and Cooper, who embody their famed characters in wit, drama and shade so strong they can make the sun set. The chemistry between Moth (David Mor) and the cast of supporting fairies was made palpable and cohesive through his delightful sass, allowing them to play off of one another like a chess board. Except here the chess pieces are the mortals. Caitlin Aase reminds us that we are indeed at a cabaret with an evocative and hungry strip tease.

Under the supervision of sound designer Kallie Noelle Rolison and choreographers Derek Van Barham and Christopher Young, the music and dance that accompanies many of the conflicting emotions brings the characters closer together through a harmonious and balanced stage.

“BITE” examines the game of love through a queer lens, teaching Oberon, Titania and perhaps the viewer a thing or two about devotion and romance as well as lust and longing.

Perhaps the answer to the question of “fairy or magic” is not like the chicken and the egg after all. Perhaps the answer to the question is: one cannot exist without the other. (Danielle Levsky)

Pride Films & Plays at Mary’s Attic, 5400 North Clark, (773)784-6969, pridefilmsandplays.com, $25-$30. Through August 14.

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